un stationnement
la mer
le sable
et dans le Guardian:
One reputed forger said that he wore an 18th-century smock while making a fake, so that modern fibers would stay out of the paint. (This 250-year-old garment was apparently loaned to him by a museum curator: very thoughtful.) “I’d also get some of the fibers from the smock into the paint so that, if it’s ever carbon-dated, it will show up as fibers from 1770.”
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